Thursday, August 6, 2020
Providing Dignity, Saving Lives
Wood River High School students involved with Amnesty International have helped with the Family of Woman Film Festival and taken part in the discussions.
Friday, March 2, 2018


Dr. Henia Dakkak had scarcely reported for work at her new job when she received orders to go to Bangladesh in the wake of the massive tsunami on Dec. 26, 2004.

She arrived at what turned out to be the sixth deadliest natural disaster in the history of the world to find bodies all over the place.

Seeking the lucky survivors out of the 280,000 people that had been killed, she saw something curious:

Heniak Dakkak has been at the front in every emergency.

There were long lines of men and boys waiting at aid stations to receive water and food but no women.

As the senior advisor for the Humanitarian and Fragile Contexts branch of UNFPA, the United Nations agency for reproductive health and rights, Dakkak is always looking out for women. But in this case she had to find them first.

She found them hiding in makeshift shelters, sometimes just the shade of a tree, she told benefactors of the Family of Woman Film Festival Thursday morning. The women didn’t have the clothing—not even underwear and slippers--that they needed to go out and seek assistance.

“They felt exposed,” she said.

Henia Dakkak shows off a plastic sheet that can help save the lives of a mother and baby in unsanitary conditions.

This sort of problem is often repeated in developing countries when women have their menstrual periods, she added.

Many girls and women cannot afford supplies to take care of the situation and so they hide, often missing school.

“I had a humanitarian donor tell me he understood the need for sanitary pads but he couldn’t understand why we needed underwear for the women,” she recounted. “I told him, ‘You can ask your wife. You cannot have sanitary napkins without underwear. Something needs to hold them.’ ”

Simple items can make the difference between life and death for those in developing countries, particularly when it comes to newborn children and their mothers, Dakkak said.

She pulled out a UNFPA delivery kit costing $7 that contained a plastic sheet and a couple simple tools.

While in Nigeria following the Civil War, Dakkak said, she encountered a woman who had delivered twins on the road. A simple plastic sheet like that in the kit would have allowed  the woman to lay down on something sanitary. The kit also contains a bar of soap that the woman attending to her could have washed her hands and plastic gloves in the event there was no water. The kit also contains a string to tie the umbilical cord and a razor to cut it.

“Infection is one of the major causes of death after delivery,” Dakkak said. “These are simple things, but they’re important things we can use to stop infection from happening.”

UNFPA produces other bags containing things like scissors and stitching threads that it hands out to military hospitals in developing countries where doctors might be called on to perform a C-section.

“The military hospitals are set up to deal with broken bones and trauma. There’s nothing in the hospitals to deal with childbirth for the women who come to them seeking help,” Dakkak said.

She produced another plastic bag containing a small fleece blanket.

“Even in hot countries we need to wrap a baby after it’s born and keep it warm or it may die of hypothermia.”

Dakkak said she and her fellow workers are seeing an increase in emergencies due to climate change. The conflict in Darfur, for instance, was thought to be an ethnic conflict but  actually started with two groups fighting over scarce water resources due to climate change.

Syria had drought for 10 years, forcing people to move from the farms to the cities where they had no jobs. And that contributed to its crisis.

“The more climate change happens the more we will see conflict,” Dakkak said. “If we stop migration, worse things are going to happen. The global community is becoming a small village so we need a transformative agenda.”

Among those listening in was Wendy Pesky, who has supported the Family of Woman Film Festival since its beginnings 12 years ago.

“We’ve got to empower women if we want to make a change in the world,” she said.

“Kiki Martin agreed. “I love this film festival because of its attention to social justice and the rights of women.”

Evelyne Guindon, director of external relations for Women Deliver, said her organization is thrilled to be part of the Family of Woman Film Festival.

“It speaks to what we do. We’re storytellers. We tell stories and provide data so policy makers make the right decisions,” she told the women. “And you informing yourself and being a great champion of advocacy  really, really matters.”


The Family of Woman Film Festival kicked off on a snowy Thursday night with a showing of “Mama Colonel.”

It will continue at 7 p.m. tonight—Friday, March 2—with a screening of Academy Award-nominee Jennifer Redfearn’s “Tocando La Luz” (“Touch the Sky”).

The feature documentary focuses on three blind women in Havana, including a young blind woman who falls in love with a young blind man, and another woman who parlays her beautiful singing voice into taking part in music competitions for the blind. Kendall Nelson will moderate discussion with Redfearn following the film.


11 a.m. Saturday—FREE showing of “Poetry,” about a Korean woman who joins a poetry class to stimulate her mind when she learns she is developing Alzheimer’s.

3 p.m. Saturday—“Sami Blood,” a drama about the racist treatment of the Sami reindeer people in Sweden during the 1930s. Includes sweeping scenic backdrop of the steppes of Northern Sweden and scenes of herding reindeer.

7 p.m. Saturday—“In Syria,” a feature drama that recreates the life of a family trapped in their apartment by the raging civil war in Damascus. A discussion with filmmaker Philippe Van Leeuw will follow.

3 p.m. Sunday, March 4—“Girls’ War,” a feature documentary showing the valiant efforts of Kurdish female soldiers against ISIS in Iraq and Syria. National mountain bike champion Rebecca Rusch will moderate post-film discussion with filmmaker Mylene Sauloy.

All the films are showing in the Sun Valley Opera House.


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